EMBASSY FOR REFUGEES PAVILION
Commissioner: Counterpoints Art & Refugee Week
Scope: Socially engaged art intervention &
Location: Southbank London
The Embassy for Refugees concept is project initiated by Natasha Reid which aims to provide ambassadorial status to a humanitarian issue.
The pavillion was commissioned as a socially-engaged artwork to form the central focus of Refugee Week 2013, and hosted the UN High Commission for Refugees. It held a programme of talks on the subject of sanctuary, performances and debate.
Claiming a territory for the marginalised. Empowering the disempowered through participatory processes.
The Embassy for Refugees claim's territory for those that seek refuge in our city. The project explores whether art, design and architecture can extend the boundaries of the discussion about refuge. Can the concept of sanctuary be re-framed as an architectural value and spatial ethic?
The project was part conceptual art intervention, part architectural space, to form not only a reflection on the status quo but also a tangible proposition.
"Natasha Reid weaves architecture, art practice, human rights advocacy and participatory methods in this deliberate re-construction of the ‘typology’ of the Embassy building. Constructed and curated in the style of the public ‘pavilion’, ‘The Embassy for Refugees’ acts as both catalyst and mediator for a range of cross-community dialogues and happenings - functioning as both participatory learning site and public provocation."
Dr. Áine O'Brien, Co-Director, Counterpoints Art
“Natasha’s Embassy is a beautifully imagined concept that plays with the idea of providing diplomatic status and ambassadorial protection to asylum seekers and refugees - the one group of people who are mostly excluded from such national and political privileges. Its aesthetic alludes to a cocoon-like space of sanctuary or refuge that is at the same time open, porous and encourages dialogue.”
Almir Koldzic, Co-Director, Counterpoints Art
SPACE OF SANCTUARY
The form of the “embassy” was defined through participatory sculpture workshops with refugee children - making “secret dens” and also inspired by the natural refuges of tree canopies, caves and cocoons. The playfulness of the pavilions resonates with childhood memories and imaginations of enchanting hideaways and natural shelters.
The pavilions were realised in close collaboration with engineers at Arup who used complex 3D modelling to realise a low-tech solution crafted from ordinary OSB timber sheet which could be rapidly constructed and deconstructed by hand in a day. Whilst appearing highly bespoke and sculptural, the pavilions strike a balance between modular efficiency and visual delight, economy of materials and thoughtful architecture. The innovative “flat pack” design allowed the pavilions to be easily transported and reconstructed in locations across London and the UK.